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I will always try to update good contents that are trendy.
If you’re going to do pop music, you’re going to be told to do trendy music.
It will be difficult to hear answers to what is trendy music and how to imitate it.
What in the world separates the trendiness, the oldness, and the maniacness of the song?
The lyrics, the melody, the arrangement.
It’s not music, it’s people that need to look away.
You should observe the main character (not the singer) in the song.
1. The main character of a trendy song
I think I’ll agree to say “insider.”
Wherever you go, it’s the story of people in the spotlight.
If you want to make a trendy song, you have to imitate the stories and sensibilities of those outgoing people.
It’s a simple problem to match the lyrics, melody, and arrangement to the main character.
2. The main character of an old song.
I think it would be acceptable to say, “A person with old emotions (his childhood sentiments of his childhood).”
The music becomes old when the scenery of the old times is captured.
It’ll become trendy with the hot scenery these days.
3. The main character of a minor song.
I think I’ll agree with you if you say “outsider.
Think of them as unique, four-dimensional, unusual, timid children.
These kinds of songs are also quite popular these days because of personalized music consumption patterns.
In the end, the key is whether the main character in the song can be determined or not.
And you have to be able to play those traits freely.
You don’t have to think of it as a trait of people you hate.
Just think of it as making a short film and play the main character in it.
Filmmakers probably don’t capture crime scenes because they stand up for it.
From the creator’s point of view, it is necessary to think that fiction is only fiction.
If the main character in the song is solved, the musical trend will follow along.
If you set it up as a trendy main character and the arrangement is old or minor,
Because you can easily judge that they don’t go well together in the first place.
Therefore, you need to “fit” the music with the idea of supporting the trendy main character when composing.
Just like WWE theme song, you can think of it as a theme to the main character.
It’s similar to making background music for a scene.
However, there is a difference that the background is not nature or any scene, but people.
It’s not a matter of musical ability or sense, but rather a matter of the composer’s own “interest and lifestyle.”
Music comes from him and his characteristics are bound to come out.
Sitcoms, for example.
Anyone who enjoys watching young and popular sitcoms these days is likely to make trendy songs.
Anyone who likes to watch old sitcoms is more likely to make old songs.
Anyone who enjoys watching unpopular sitcoms, Maniacs and unusual sitcoms is likely to make minor songs.
In fact, there is nothing to talk about inside the music.
If only the main character can be set well, the music will follow accordingly.
It’s just that you need to learn the songs of today.
I’ve made a simple distinction between a big trend, an old man, and an outsider.
There are many kinds of trendy songs and there are many kinds of outsiders.
I think there is only a question of whether one’s interests are in line with the flow of the public.
Sometimes there are people who tell you to go to clubs or college and hang out with people.
It’s the same context as the text.
It’s because the composer has to have a trendy interest so that the song can follow it.
You won’t be able to get full at the first sip, and you’ll need to get used to it gradually through imitation and creation.
I hope you can take this opportunity to get rid of your prejudice against music that you hate or underestimate.